Richard Linklater, the renowned filmmaker, recently discussed his latest projects and the challenges of the film industry at the 69th edition of the BFI London Film Festival. He talked about his festival titles, 'Nouvelle Vague' and 'Blue Moon', as well as his career and the changing economics of distribution.
Linklater mentioned that it's becoming increasingly difficult to get films seen due to the evolving distribution landscape. He highlighted the contrast between his films 'School of Rock' and 'Bernie', the latter of which struggled with 'crap distribution'. He explained how the economics of the film industry can be volatile, and how a film's success is not solely dependent on its quality or the filmmaker's vision.
When asked about the status of his 20-year film adaptation of the Stephen Sondheim musical 'Merrily We Roll Along', starring Paul Mescal, Ben Platt, and Beanie Feldstein, Linklater revealed that they have filmed three out of nine sections, which means they are a third of the way through production.
Linklater also shared a personal anecdote about his fear of showing his mother his film 'Boyhood', as he was concerned about how she would react to parts inspired by his real life. However, his sister reassured him that they had gone to therapy and that he had simply made a movie.
The director was also asked about his long-standing creative partnership with Ethan Hawke, with whom he has made nine films. He discussed 'Blue Moon', in which Hawke plays Lorenz Hart, and how he had to take the actor's natural appeal and dismantle it for the role. Linklater described himself as a 'nagging director' and joked that if Hawke didn't know him so well, he would have punched him.
Despite the challenges, Linklater remains optimistic about the future of the film industry and continues to push the boundaries of storytelling. His work serves as a testament to the power of cinema and the enduring appeal of independent films.
